Pigments

My metal nib dips

in the dappled green bottle,

quietly bubbling, drinking in Midnight Blue.

Tapped on glass rims

the thin remnant stains

sink back into the pooled pigment;

and I replace the lid.

My metal nib scratches and slides,

scratches and slides,

laying its snail-trail of ideas

in, none-too-neat,

left to right rows.

Shimmering slick tracks

dry to sharp edged characters.

Chrysalis stories open their wings

emerging into the light of day

fading from the moment of creation.

Details bleed from the edges,

Midnight fades through

Raw Umber to Charcoal Grey

as spilled blood changes

from Crushed Raspberry,

Burnt Sienna, to Lamp Black.

And the paper, musty,

like undried washing, 

softens, flakes and peels.

We re-tell the tale,

re-write the ideas.

Copy, re-write and re-type.

Reformed, intensified,

Carmine replacing Cinnamon,

Lagoon Blue for Faded Tattoo

and Deep India Black for Payne’d Grey.

Copy, re-write and pupate.

Re-written words,

stretch their wings in new light,

painting new stories.

My metal nib scratches and slides,

scratches and slides,

laying its snail-trail of ideas.