Coffee on the Corner, Littleborough 6.00pm to 8.00pm
On Tuesday, 5th November, we will hold our 3rd edition of the Poetry Café in Littleborough. This is a free, open-mic style poetry evening held in a lovely café. We welcome all genres of poetry and there might even be a short story.
All a welcome to attend either just to listen or to read some of your own, or some favourite poetry. Should you wish to read please let me, Seamus, know on arrival and I’ll add you to our list of performers for the evening. Generally, dependent on numbers each person will have the opportunity to read twice in the evening. Being bonfire night we can expect some sparklers and maybe some bangers but the organisers will not accept any work that is racist or attacks minority groups in any way.
The café are opening outside of their normal hours for our event so please buy some drinks, and maybe some of the excellent home-made cakes, to help support the owners who very generously provide the space.
Coffee on the Corner is just a short walk from Littleborough railway station and bus stops and there is parking on the nearby streets is free and after 6.00pm there is not a time limit in force.
18:00 – 20:00 – Coffee on the Corner -3rd September 2024
This Tuesday marks the launch of a new monthly poetry open mic event in Littleborough at Coffee on the Corner. Join us every first Tuesday of the month to read, listen to poetry, and enjoy excellent homemade cakes and drinks available in the café.
Organized by Liz White and myself, we are grateful to Coffee on the Corner for hosting us. Although the event is free, please support the venue by purchasing drinks and their delicious cakes.
I’m really pleased with the work that Royal Exchange Theatre and the local ambassadors, champions and the filmmaker have done with the words they commissioned for FestiDale. It was great to be involved in the project and the whole event was positive and uplifting – just the kind of creativity, art and entertainment that we need.
Now that the poem has been published in video form I am adding the text version here – I’d love to know what readers think – you can comment on this post.
Welcome to Rochdale
Welcome to Rochdale, Nestled in the valley of the Roche, beneath the mighty Blackstone Edge, rooted in history, striding into the future, an industrial giant of the Victorian age, celebrated by our grand Gothic Town Hall.
Welcome to this borough of innovation. History woven with silk, wool, cotton, kevlar, and the glass fibre moulding for Concorde’s nose. Welcome to the UK’s highest broad canal, longest rail tunnel at Summit, and the Worlds first railway tunnel in Healy Dell.
Welcome our green-award-winning offices, library and Interchange on Riverside, Be astonished by our ideas and sustainability! Welcome to this home of innovation.
Welcome to the home of Samuel Bamford, Weaver, poet and leader of marchers to Peter’s field, and John Bright, radical, anti-slavery hero. Welcome to the cotton famine road.
See our memorials, testament to sacrifice, from our archers at Flodden, the fallen in the Boer War, the Great War, World War Two and all conflicts since. Remember them, and remember Fusilier Lee Rigby.
Welcome to Toad Lane, the home of cooperation, a quiet rebellion against poverty and inequality, that spread across the country, onto a world-wide stage. “Each for all; and all for each”
Visit our stages, our performers. See “Our Gracie’s” statue by the Town Hall, Hear Lisa Stansfield, ‘All around the World”. Watch Mike Harding, Steve Coogan, spot top twitcher Bill Oddie, soap stars Julie Goodyear, Anna Friel and Sue DeVaney. Celebrate the Courteeners, and the “Stones” illicit concert behind the lake. Celebrate our bands, singers, cloggers and dancers, placing Rochdale centre stage.
Celebrate our sports stars, on track and field. Row, sail, paddle, or cruise aboard the Lady Katherine, on Hollingworth Lake, where Captain Webb practiced to swim the Channel. Celebrate Rochdale AFC, the Hornets, and our many sports clubs. Celebrate European Cup winning Lioness, Kiera Walsh, and World Champion cyclist Mandy Jones.
Cherish our churches, marvel at our mosques, meeting places and halls. See our history, experience our present, and glimpse our future.
Welcome to a home to the peregrines, the lost, the wanderers, those with no place to go. Meet the people who will speak with you and extend a hand of support.
Look at our communities, our buildings, our spaces. Look to the sky, to our much-loved clock tower, where the Peregrines raise their young. We welcome them all, new sons and daughters of the Dale.
I’ve created this workshop on behalf of Cartwheel Arts for FestiDale, from the Royal Exchange Theatre, at Kingsway Park High School in Rochdale.
The theme is “I come from” and participants will be able to write about the things that make us who we are, and most importantly the things that make us happy.
There will be examples, discussion, templates and support and your words can be shared with others at the session. This workshop is open to both new and experienced writers and all materials and support will be provided. You can book a place online on a pay what you feel basis (from only £1) on the FestiDale website https://www.royalexchange.co.uk/season/the-festidale/.
Looking forward to seeing and hearing the work that will be produced.
Last night, 7th August, saw the opening of the Royal Exchange Theatre’s FestiDale events in Rochdale.
I was delighted to hear my poem, Welcome to Rochdale”, performed by some of the local ambassadors and champions for the theatre, ahead of the opening speeches. The poem speaks of some of the history and innovations for which the town is famous and the social values that led to the formation of the cooperative movement, support for anti-slavery and welcoming new people to our community.
I was really pleased by the reception my words received, and really impressed by the way the group performed the work. Shortly after the speeches we had a chance to watch the film of the poem and I am grateful for the performers, producers and film-maker, who made a really good film.
The large audience was welcomed by the Mayor, Deputy Mayor, Councillor Susan Smith, the CEO of the Royal Exchange Theatre and the Headteacher of Kingsway Park School. Ambassadors and Champions introduced the events that will be included in the festival and all were warmly welcomed by the audience. Full details of the program can be found at https://www.royalexchange.co.uk/season/the-festidale/ where you can also book for the various ticketed events.
Deputy Mayor Janet Easley and Cllr Susan Smith
Music for the evening was provided by Littleborough Brass Band and with food and mocktails from New Cooperators everyone had a good time and the festival is set for a successful and creative run from today to 18th August.
Beautiful Artwork from Nic, 16 Serendipity Lane
Sitting in the Den after watching film version of my poem
My last post spoke about a poem that I had just completed for a commission. The details of the commission and the poem itself have been kept quiet pending its release – but I have titled it “Welcome to Rochdale”. I cannot reveal the content until it is public but I can say that the poem, about people and places in Rochdale, is optimistically upbeat. When I received the commission I was asked to make something positive and I was able to say that my work in this case would be unrelentingly positive.
The commission came from The Royal Exchange Theatre in Manchester and they were looking for a 3 minute poem to use for a film as part of “FestiDale” a festival celebrating creativity being held in Rochdale. Festidale opens tomorrow, Thursday 8th August, and all events are being held in Kingsway Park High School. You can find the full programme at https://www.royalexchange.co.uk/season/the-festidale/
As part of the festival I will also be running a creative writing workshop on behalf of Cartwheel Arts from 3.00pm to 5.00pm on Friday 16th August – places can be booked on the link above and you can choose to pay either £5, £3 or £1 for your online ticket.
The workshop is titled “I come from….” And will give people a chance, and encouragement, to write about origins, place, family etc. I’ll share some examples for people to hear and read to give a flavour of what can be done. Participants do not need to have written poetry before and I will introduce some basic techniques and ideas to get everyone going. I’ll also provide materials and draft structures so that people won’t need to bring anything along.
I’m looking forward to seeing the film of “Welcome to Rochdale” this evening at the special preview event. Of course as well as the exciting anticipation to see the piece performed on film by local ambassadors and champions of the Royal Exchange Theatre, there is always a little bit of nervousness: How will they have made the work look? Will the audiences like it? Once the film is made available online I will post a link here and on my social media channels.
Massive thanks to the Royal Exchange Theatre for commissioning me to write the poem and to Cartwheel Arts and Rochdale Development Agency for suggesting they should ask me.
Everyone is welcome to our celebration of Summer and creative writing this Saturday, 13th July, from 10am at Rochdale Central Library, Number One Riverside, Rochdale. There is no need to book, just come along on the day.
This free event promises to be both informative and entertaining and a great opportunity to talk about creative writing and find out more about our writing group.
We are delighted to have a special guest speaker William Pollard, the author of a book about Rochdale’s lost female author M R Lahee who wrote at a time when women were not generally accepted as authors.
There will be poetry from members of the Riverside Writers, music from the U3A Choir, Heywood Ukulele Group and the Rossendale Clog Dancers.
From 2pm we will adjourn to Vicolo Del Vino, The Butts, Rochdale, for meat and potato or cheese and onion pie.
During the afternoon we will be hosting an open mic session with plenty of poetry, spoken word and perhaps some tunes too.
Yesterday I submitted the final draft of a commissioned poem. This is a 3 minute film poem – I’ve done the writing and now it will be performed by a number of people at various locations and recorded by a professional film-maker.
It feels great to submit ahead of a deadline and I’m happy with what I have produced, but the reason for this post is to talk about what it takes to deliver a commissioned piece.
As I look back I find 10 pages of notes and plans, notes from two meetings, emails, index cards for some of my research, a good number of google searches and a dozen handwritten and word processed drafts.
Writing poems is fun and very rewarding. Occasionally a poem comes along without really having to work at it, for example one of my most recent was drafted, using my phone, on a bus and refined just a couple of times afterwards. Most of the time poems, even very short ones take a bit more development until they feel and sound right, and that development is a big part of the joy of writing poetry.
Once a commission is involved then things are a bit different, some of these are;
there will be a particular theme
the poem might be required for performance, for recording in audio of video media or it may be required to be printed in a particular format
there is usually a defined length in terms of lines, words or time
the commission will usually have a purpose which will define the mood or feel of the poem
there may be a requirement to collaborate with others
draft versions of the poem will generally need to be shared before the piece is finalised
there will be a deadline for the final submission
usually your work must not be made public until the time and place agreed with the comissioner
In short writing a poem for a commission is a project and needs to be planned and managed like any other project – but as a poet it is a really good discipline. Taking on occasional commissions is a great way to keep on developing your writing, it helps you to choose what messages a poem will end up giving and it helps you to keep your writing sharp and succinct.
Ideally it should also be financially rewarding. In the case of the recent poem I am pleased that the organisation commissioning it understand the work that goes into a three minute poem and pay a realistic rate.
Only in the creative arts are people expected to work “for exposure” and I strongly support the notion that artists should never be asked to work for free – exposure doesn’t pay the bills.
Over the next couple of months I’m excited to be involved in several writing projects in Rochdale borough.
Firstly I will be working with Cartwheel Arts to deliver a project for Deeplish Community Centre as part of their 35th anniversary celebrations. I will be working alongside local artist Rahela Khan and am looking forward to seeing the work we can produce.
Secondly I will be delivering a workshop for a group of young people as part of the same project in Deeplish.
Thirdly I am starting prepations for some brand new creative writing sessions for young people aged 5 to 11 themed in the Paris Olympics taking place this summer. These will be delivered with Your Trust, and i will be bringing a completely new slant to the topic.
Finally I am working on a special commissioned poem for release in the summer – as yet I cannot divulge more, but it is Rochdale focused and I look forward to working with the commissioning organisation. Its a big one and I’m really excited to develop and share it when I can.
A busy few months but there will still be time to continue with my own writing projects and working with young people at Vibe Rochdale.
Do places become significant because of what happens there, or do things happen in places because those places have significance?
The weekend is a time I set aside for work on the longest piece of writing I have yet undertaken. It will become a book, and the papers and notes on my desk are all connected with research and planning the plotting, along with notes and text to be included.
The book is much more concerned with asking and considering questions than finding definitive answers.
The narrative tells a story of a journey through time and geography and Thin Places. “Thin places” is a term used in some cultures, particularly Celtic culture, to refer to special or significant liminal spaces. The question exercising my thoughts at this stage is:
Do places become significant because of what happens there, or do things happen in places because those places have significance?
I’m interested in your thoughts on this one….
If you have any thoughts, including experiences about the importance of place, please leave your comments below.
What is it, why do we get it and what can be done about it?
Giclée print of Pelican – shown in frame for illustration only
Almost everyone will at some time suffer from the thing we call imposter syndrome.
In strict clinical or psychological terms it is specifically used to describe a situation where the person with the syndrome has a persistent internalised fear and it can often be accompanied by other mental health issues.
In common language the definition is not so rigidly applied and it is essentially the feeling that we are somehow not sufficiently suitable, capable or qualified enough for the situation we are in. Suffering from imposter syndrome makes you feel like a fraud. I believe that it is perfectly possible to feel confident and competent in some areas yet feel the opposite in others. This is the definition I am using in this article.
One of the side effects of this type of imposter syndrome is the need to excessively prepare; for example if you are going to make a presentation to a group of people you would run through it again and again, you might well practice later into the night to be sure you are ready, you might spend the journey to make the presentation running through it in your mind. You may be tired and stressed by all the preparation yet the presentation will still go well but you are then sure that it only went well because of all the preparation that you did.
At a lesser level the feeling might prevent you telling people what you can do. As a professional freelancer you need to tell people what you can do, you need to promote your own abilities; that is tricky when the syndrome keeps telling you that you aren’t good enough.
Among the wide variety of work I’ve done is SOME illustration. I’ve designed a handful of book covers, I’ve been commissioned to produce drawings, I’ve edited books, I’ve created illustrations for instruction manuals and for training courses ranging from photography, digital imaging to bicycle maintenance. I’ve made illustrations for cards etc. Yet when asked to make some illustrations for a film my head shouts at me “you’re not an illustrator, why don’t they get a real illustrator?”
So I tell myself that “people have paid me to do illustrations for them, I’ve made illustrations for various jobs, therefore I am an illustrator” but in my head that nagging voice stills says “What if you can’t do it? What if they find out that you are a fraud?”
Illustration for book cover
As a poet I’ve performed in little open mic venues and on festival stages. I’ve learned how to work the room, how to use a microphone and how to pace my performance. I have run numerous workshops for all ages from 5 to 80+, I’ve led poetry writing projects and produced books.
I’ve had poems published in books and online and I’ve been interviewed for radio programs. I’ve been commissioned to write poems and am paid at a proper professional rate. With all of that I can call myself a professional poet, BUT there is that voice again; “you’ve not had a book in Waterstones, you’ve not been on television, you’ve not Amanda Gorman, Tony Walsh or Alfred Tennyson….”
That voice is sometimes hard to ignore. That voice is the imposter syndrome.
Feeling the need to produce good quality work is not imposter syndrome.
Feeling pressure to do better is not imposter syndrome.
Wanting to be the best you can is not imposter syndrome.
Those things are about ambitions, but handle ambition with care because it can lead to making unhelpful comparisons. Every poet is different, we each have our own styles, our own interests and create our own unique work. Whilst ambition to be better is good, ambition to be the next Armitage, Sissay or Duffy is not so good.
I don’t want to be the next Seamus Heaney, I want to be Seamus Kelly. I want to write, draw and create as Seamus Kelly. One place where I cannot possibly be an imposter is in being Seamus Kelly.
You have to be yourself. You have to stop comparing yourself in a competitive way to others. You have to stop putting yourself down. You have to stop undervaluing yourself, your skills, your work and your creativity.
You have to do all that whilst that voice says “fraud”, and you have to credit yourself for successes. The voice may never shut up, but using facts, actual things you have and can do, to tackle it can make things better.
Don’t be the next Picasso, Mozart, Wordsworth or Neruda – be you, look for the value there.
I’m not suggesting its easy, or that it can be done without help. My help comes from fellow creatives and from my wife. It comes from the person who comes up to thank me after a performance because a poem reminded them of their mother, it comes from faces listening for the next words. It comes from the workshop participant eager to share what they’ve written. It comes from the requests for me to produce creative work. All of those things are needed to quieten that voice, to confidently say “I’m not a fraud”, (and at least most of the time to believe it).
